Liner notes. Conversations about Making Books. i.e. Leipzig

Liner notes. Conversations about Making Books. i.e. Leipzig
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ALIENATING EFFECTS --- How to talk about your own work? What would be an appropriate mode to rigorously avoid the obtrusive, marketing-like appearance all too prevalent in many self-presentations? Which aesthetic attitude would allow you to observe yourself from a playful distance? In Bertolt Brecht´s ´Lehrstücken´ [Learning Plays], especially in the Messingkauf Dialogues [Buying Brass] which spell out his theory of drama, we discovered performative models which could make our own positions and those of others visible. We liked Brecht´s experimental setting which allegorised everyday speech and behaviour. We liked this gestural form of contradiction and affirmation, of exposure and concealment, of simplification and completion, because it allows the portrayal of a highly complex self-concept.
This book is published as an english text supplement to »Liner Notes. Gespräche über das Büchermachen, Leipzig z.B., Spector Books 2009.