Early Soviet cinema. Innovation, ideology and propaganda

Early Soviet cinema. Innovation, ideology and propaganda
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Separate chapters are devoted to the work of leading film-makers such as Eisenstein, Kuleshov, Pudovkin, Vertov and Dovzhenko. Gillespie places primary focus on the etxt, with analysis concentrating on the artistic qualities and distinctive poetics of each director´ s contribution, both in terms of early Soviet history and twentieth-century cinema.