The invention of hysteria. Charcot and the photographic iconograp

The invention of hysteria. Charcot and the photographic iconograp
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Didi-Hubermanndemostrates how a study of hysteria in the ninetheen century continues to have profund revelance for anyone interested in cuestions in culture and its embodiment_ that is, questions concerning the workings of power. The author´s erudite combination of visual and textual research and provocative analysis has produced a result that will be equally crucial sto scholars of medicine, femenism, psychoanalisis, literature, photography, art history, the body, and the postmodern theory.